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Engaging with the Bible in Visual Culture

Hermeneutics between Word and Image, with Broomberg and Chanarin’s Holy Bible

Bibliographic Data

ID12445408
AuthorsSheona Beaumont (0000-0003-2953-6880, 1 Diocese of Chichester, corresponding author)
Year2019
Volume23
Issue4
Pages411-433
Publication date2019-10-10
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueReligion and the Arts (JOURNAL)
Journal identifiersISSN: 1079-9265 • E-ISSN: 1568-5292
PublisherBrill (PUBLISHER • NL)
DOI10.1163/15685292-02304004
OpenAlexW2980164059
LanguageEN
References cited3

Increasingly articulate contemporary art practices are engaging with biblical representation, revealing new relationships with religion through the availability of the word in image. Taking as exemplary the photographic publication of Adam Broomberg and Oliver Chanarin’s Holy Bible (2013), this essay considers the evidence for their hermeneutics between image and word that is characterized by open awareness of and expansive participation in the (rereading of the) Bible. Discussing this engagement, I explore imagistic readings of the Bible through the artists’ strategies of interpolation and repetition, as well as examining their chosen theme—catastrophe—for its revelatory power. Through the artists’ self-reflexive hermeneutics of indeterminacy, I argue that the discussion of the return of religion in art needs attuning to this kind of specific practitioner experience: a hermeneutical circle of imaginative, dialogical, and dynamic interpretative positions in which the notion of indeterminacy is persuasive for interpretative grist, historical accountability, and theological horizon

Aesthetics · Art · Dialogical self · Epistemology · Expansive · Hermeneutics · Indeterminacy (philosophy · Linguistics · Literature · Political science · Politics · Power (physics · Reflexivity · Repetition (rhetorical device · Representation (politics · Social science · Sociology · Theme (computing · Geographies of human-animal interactions · Law · Philosophy · Religious Tourism and Spaces · Visual Culture and Art Theory

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Citation velocityhistorical
Highly citedNo

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