Absolute Art
Nicolas of Cusa’s De Visione Dei
Bibliographic Data
| ID | 12445637 |
|---|---|
| Authors | Arianne Conty (0000-0001-8751-0852, American University of SharjahUnited Arab Emirates, corresponding author) |
| Year | 2012 |
| Volume | 16 |
| Issue | 5 |
| Pages | 461-487 |
| Publication date | 2012-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Religion and the Arts (JOURNAL) |
| Journal identifiers | ISSN: 1079-9265 • E-ISSN: 1568-5292 |
| Publisher | Brill (PUBLISHER • NL) |
| DOI | 10.1163/15685292-12341235 |
| OpenAlex | W1992407618 |
| Language | EN |
| Citations received | 2 |
| References cited | 18 |
Nicolas of Cusa’s fifteenth-century text De Visione Dei represents his most far-reaching illustration of communication between finite “quantum” vision and the infinite spherical vision of God. Written to accompany a visual experiment, the text instructs the monks of Tegernsee to circumambulate an all-seeing icon of God. Developing the concept of infinite space that had found a geometrical representation in the vanishing point, Cusa places it within God’s eye, which retains its medieval and religious function by gazing out of the painting at the monk according to inverse perspective. This text thus constructs a veritable sociology of belief, in which believing the word of the other, of the community, is necessary for each individual’s understanding of God. In this sense, there can be no unmediated experience of the divine, for God, as infinite and absolute, cannot be reduced to a single perspective. Cusa’s experiment shows us that we cannot live together in a community based upon what we see, for what we see cannot be shared. It is only our trust in the word of others that can testify to an invisible and universal meaning. Sharing this meaning in language effectively founds the social order
Absolute (philosophy · Art · Epistemology · Icon · Meaning (existential · Order (exchange · Perspective (graphical · Representation (politics · Visual arts · Byzantine Studies and History · Computer Science · Historical, Religious, and Philosophical Studies · Medieval Literature and History · Philosophy
Painting and experience in fifteenth century Italy
Nicholas of Cusa on Christ and the Church
Infinity and Perspective
The Darkness of God
Jesus as Mother
Nicolaus Cusanus
Deconstruction and the Possibility of Justice
La croisée du visible
Le Commerce des regards
The Gaze Nicholas of Cusa
Ce héros anonyme vient de très loin. C'est le murmure des sociétés
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2022 - 2024 (3) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |