The Mandylions in Genoa and Rome

On the Authenticity of Christ's True Image in Counter-Reformation Italy

Bibliographic Data

ID12448178
AuthorsAndrew R Casper (Miami University, Oxford, Ohio, corresponding author)
Year2021
Volume51
Issue2
Pages263-284
Publication date2021-05-01
Open AccessNo
TypeARTICLE
VenueJournal of Medieval and Early Modern Studies (JOURNAL)
Journal identifiersISSN: 1082-9636 • E-ISSN: 1527-8263
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/10829636-8929066
OpenAlexW3164663912
LanguageEN
Citations received1

This essay recovers the dialectics of authenticity informed by the reinvigorated emergence of the Mandylion of Edessa as an authorized early Christian relic in Counter-Reformation Italy. The original was a miraculously generated icon of Christ's face which later became a major devotional artifact in Constantinople during the Byzantine period. However, by the seventeenth century two celebrated images of Christ's face, at San Bartolomeo degli Armeni in Genoa and San Silvestro in Capite in Rome, made simultaneous claims to be the original Mandylion. By exploring the reception of these mandylions in Genoa and Rome, and in particular the arguments advanced to vouch for the authenticity of each, this essay delineates historicized ways of perceiving holy images as faithful testaments to the origins of Christian history. This analysis therefore challenges the presumed supremacy of modern paradigms of authenticity

Aesthetics · Ancient history · Art · Artifact (error · Byzantine architecture · Counter-Reformation · Dialectic · Eucharist · Face (sociological concept · Faith · Icon · Jesus christ · Period (music · Theology · Byzantine Studies and History · Classics · Historical and Religious Studies of Rome · History · Philosophy · Psychology · Renaissance and Early Modern Studies

Tools

Open DOI