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Sorrowful Empire, Distempered Union

Negative Dialects and the Art(s) of Freedom

Bibliographic Data

ID12450100
AuthorsMatthew T Witt (University of La Verne, corresponding author)
Year2008
Volume30
Issue1
Pages7-41
Publication date2008-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAdministrative Theory & Praxis (JOURNAL)
Journal identifiersISSN: 1084-1806 • E-ISSN: 1949-0461
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/10841806.2008.11029620
OpenAlexW2303606600
LanguageEN
Citations received2

This paper examines the usefulness of Theodor Adorno's (1966/2004) formulation of negative dialectics as prescriptive praxis under conditions where signifiers for humanity are made vaporous or otherwise elusive, as with current conditions of ersatz liberalism and diminished civil liberties. For exegetical purposes, this paper applies Adorno's praxis to one instance of resistance during the Nazi Third Reich that bears lingering, personal relevance to the author. The art work of the modernist painter, Georges Braque, makes entrance here to render more vivid the essential tenets of Adorno's provocative and still timely praxis

Aesthetics · Art · Art history · Dialectic · Empire · Epistemology · Humanism · Humanity · Nazism · Political science · Politics · Praxis · Relevance (law · Resistance (ecology · Sociology · Critical Theory and Philosophy · Law · Philosophy

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Unique citing works2
Citations per year0,13
Citation span2010 - 2024 (15)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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