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Manifestos in Postrevolutionary Mexico

Opposition, Imposition, and the Comprimido Estridentista

Bibliographic Data

ID12465301
AuthorsElliot Heilman (corresponding author)
Year2014
Volume17
Issue1
Pages1-34
Publication date2014-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueRhetoric and Public Affairs (JOURNAL)
Journal identifiersISSN: 1094-8392 • E-ISSN: 1534-5238
PublisherMichigan State University Press (PUBLISHER • US)
DOI10.14321/rhetpublaffa.17.1.0001
OpenAlexW1991707958
LanguageEN
References cited13

The years following the Mexican Revolution (1910–1917) witnessed energetic debate at all levels of Mexican society concerning the future of the nation. Utilizing the notion of “political fictions,” in this article I claim that a tension between two competing political fictions was laid bare and can usefully be examined through analysis of manifestos from this period. Building upon previous scholarship on this genre, I show how manifestos arose from institutional crisis and served as both the voice of the oppressed and as the bully pulpit of political elites in Mexico. I conclude by analyzing an artistic manifesto, the Comprimido Estridentista (1921), which is an early attempt to synthesize these two political fictions. Foreshadowing one of the central concerns of the postrevolutionary state, this unusual text attempts to institutionalize the promises of the Mexican Revolution

Art · French revolution · Humanities · Manifesto · Opposition (politics · Political economy · Political science · Politics · Pulpit · Scholarship · Sociology · History · Law · Literature, Film, and Journalism Analysis · Politics and Society in Latin America · Rhetoric and Communication Studies

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Citation velocityhistorical
Highly citedNo

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