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Queer Genealogies of (Be)Longing

On the Thens and Theres of Asian America in Karen Tei Yamashita's I Hotel

Bibliographic Data

ID12469442
AuthorsChris A Eng (corresponding author)
Year2017
Volume20
Issue3
Pages345-372
Publication date2017-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Asian American Studies (JOURNAL)
Journal identifiersISSN: 1096-8598 • E-ISSN: 1097-2129
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/jaas.2017.0032
OpenAlexW2765444677
LanguageEN
Citations received3
References cited31

This article explores how familial logics of (inter)generationality undergird narratives about the origins and development of Asian American studies in ways that posit the "community" and the "academy" as competing formations within a generational conflict between a radical past and an institutionalized present. As a counterpoint to such accounts, it examines Karen Tei Yamashita's I Hotel (2010) to chart a queer genealogy of (be)longing that brings to bear relations, affinities, and contingencies that exceed a generational model of the history of the field. Specifically, the first novella Eye Hotel reimagines modes of Asian American literary paternity by playing with and disassembling enduring tropes of normative familial relationality. Through the depicted relationship between protagonists Chen Wen-guang and Paul Wallace Lin, Eye Hotel envisions forms of queer (be) longing that reframe ethnic studies' projects of social justice as productive, erotic exchanges of intimacy, rather than reproductive legacies of filial transmission

Art · Counterpoint · Economic Justice · Literature · Narrative · Novella · Political science · Queer · Sociology · Asian American and Pacific Histories · Gender Studies · History · Latin American and Latino Studies · Law · Race, History, and American Society

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Unique citing works3
Citations per year0,5
Citation span2020 - 2024 (5)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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