The Railroad as Message in Maxine Hong Kingston’s China Men and Frank Chin’s “Riding the Rails with Chickencoop Slim”

Bibliographic Data

ID12469779
AuthorsJulia H Lee (0009-0008-7597-7330, corresponding author)
Year2015
Volume18
Issue3
Pages265-287
Publication date2015-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Asian American Studies (JOURNAL)
Journal identifiersISSN: 1096-8598 • E-ISSN: 1097-2129
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/jaas.2015.0023
OpenAlexW2284542940
LanguageEN
References cited12

This essay examines how Frank Chin and Maxine Hong Kingston deploy the railroad as a means of structuring Chinese American identity. In “Riding the Rails with Chickencoop Slim” (1977) and “The Grandfather of the Sierra Nevada Mountains” from China Men (1980), Chin and Kingston figure the railroad as a sign of the presence and enforced absence of the Chinese. The railroad becomes, in other words, a kind of text that serves multiple purposes within their respective memoirs, generating more narratives and offering itself as a narrative to be read and interpreted. It also offers a way for the authors to reconsider some of the foundational tenets of the memoir as a genre

Aesthetics · Archaeology · Art · Art history · Chin · China · Identity (music · Literature · Memoir · Narrative · Sign (mathematics · Sociology · Asian American and Pacific Histories · Autobiographical and Biographical Writing · History · Latin American and Latino Studies · Medicine

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