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Laughter Against the state

On Humor, Postcolonial Satire, and Asian American Short Fiction

Bibliographic Data

ID12469788
AuthorsNerissa S Balce (corresponding author)
Year2016
Volume19
Issue1
Pages47-73
Publication date2016-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Asian American Studies (JOURNAL)
Journal identifiersISSN: 1096-8598 • E-ISSN: 1097-2129
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/jaas.2016.0012
OpenAlexW2295743416
LanguageEN
References cited31

This article demonstrates how Filipino American hip-hop performance reflects a history of U.S. militarization within Filipino diasporic communities. I argue that Filipino American emcee Geologic’s biography and poetics exemplify the cultural politics emanating from militarized Filipino American communities. I contend that these cultural politics are represented in a “Filipino American hip-hop vernacular,” a set of popular cultural practices emerging out of the shadows of U.S.-Philippine colonial and neocolonial encounter

Art · Art history · Biography · Colonialism · Laughter · Literature · Militarization · Poetics · Poetry · Political science · Politics · Queer · Sociology · State (computer science · Vernacular · Asian American and Pacific Histories · Asian Culture and Media Studies · Gender Studies · History · Latin American and Latino Studies · Law

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Citation velocityhistorical
Highly citedNo

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