Tramps and nomads
Figures of youth in flight in Charlie Chaplin's Modern Times
Bibliographic Data
The film Modern Times was singular in its historical moment as a work that considered youth as a creative and social force in itself. Indeed, while there are many ways to read the major themes in a film such as Modern Times, this article, following Gilles Deleuze and Félix Guattari, engages Charlie Chaplin's film as a vehicle for exploring a certain kind of becoming-youth as a question of force. The kind of force that is explored here is the production of youth as a specific kind of radical social subjectivity; that is to say, as a subjectivity comprising multiple collisions, contestations and struggles between sets of proscribed social roles. The article investigates how the film engages the question of youth-adult identity as a social binary that can be collapsed into a relation that flees the social containment of both youth and adult
Aesthetics · Epistemology · Identity (music · Relation (database · Sociology · Subjectivity · Cinema and Media Studies · Gender Studies · Philosophy · Youth Education and Societal Dynamics
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