Micro-Utopías de lo cotidiano, espacios de encuentro en el Arte Relacional
Una aproximación a ciertas acciones de Marina Abramović y Tino Sehgal = Micro utopias of the quotidian, meeting spaces in relational art: an approach to some performances of
Bibliographic Data
| ID | 12478767 |
|---|---|
| Authors | Laia Manonelles Moner (0000-0003-0738-0811, corresponding author) |
| Year | 2016 |
| Volume | 0 |
| Issue | 4 |
| Pages | 329-329 |
| Publication date | 2016-05-13 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Espacio Tiempo y Forma Serie VII Historia del Arte (JOURNAL) |
| Journal identifiers | ISSN: 1130-4715 • E-ISSN: 2340-1478 |
| Publisher | UNED - Universidad Nacional de Educacion a Distancia (PUBLISHER) |
| DOI | 10.5944/etfvii.4.2016.16030 |
| OpenAlex | W2440448700 |
| Language | ES |
| References cited | 1 |
This paper analyses the concept of relational aesthetics proposed by Nicolas Bourriaud considering the close connections of some performative art practices with the active participation of the spectator in the creation of «constructed situations». I will examine a range on actions of Marina Abramović and Tino Sehgal, in which the audience becomes one of the main agents: stressing the relationship between creator and spectator, between individual and collective experience. Under such premises art shows the will to move, to touch, to affect deeply, connecting the public with the private sphere. Within these parameters, the work of art emerges in the interstices of society as a tool to outline new ways of creating relations, which Bourriaud termed «utopias of proximity» or «micro-utopias». Such situations understand creation as a device to give food for thought and encourage dialogue and critical thinking
Aesthetics · Art · Art history · Humanities · Performative utterance · Sociology · Historical and Modern Theater Studies · Literature, Culture, and Aesthetics · Philosophy · Photographic and Visual Arts
| Highly cited | No |
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