Making National Heritage move
Ilya Rabinovich’s “Museutopia” projects = Dinamizando el patrimonio nacional: el proyecto “Museutopia” de Ilya Rabinovich
Bibliographic Data
| ID | 12478783 |
|---|---|
| Authors | Noa Roei (0000-0003-0387-2421, University of Amsterdam, corresponding author) |
| Year | 2016 |
| Volume | 0 |
| Issue | 4 |
| Pages | 261-261 |
| Publication date | 2016-05-13 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Espacio Tiempo y Forma Serie VII Historia del Arte (JOURNAL) |
| Journal identifiers | ISSN: 1130-4715 • E-ISSN: 2340-1478 |
| Publisher | UNED - Universidad Nacional de Educacion a Distancia (PUBLISHER) |
| DOI | 10.5944/etfvii.4.2016.16065 |
| OpenAlex | W2955639796 |
| Language | EN |
| References cited | 6 |
This paper examines the dynamics of inclusion and exclusion within national historical museum exhibitions by analyzing two photographic research projects of the Moldovan-Israeli artist Ilya Rabinovich. I employ Edward Said’s method of contrapuntal analysis to tease out the way in which Rabinovich turns the customary relation between artifacts and exhibitions inside out. I show how the artist’s personal history of double migration is not only the driving force behind the projects, but also underlies their aesthetic rationale of dis-identification
Art · Art history · Cartography · Exhibition · Geography · Ilya · Relation (database · Visual arts · Computer Science · Cultural Heritage Management and Preservation · Museums and Cultural Heritage · Photography and Visual Culture
| Highly cited | No |
|---|