La casa como puerta de entrada hacia un orden arquetípico en la obra plástica de Thomas Virnich = The House as an Entrance Door into an Archetypal order in Thomas Virnich’s Sculptural Work
Bibliographic Data
| ID | 12479241 |
|---|---|
| Authors | Guillermo Aguirre Martínez (0000-0001-7331-7947, Ruhr University Bochum, corresponding author) |
| Year | 2017 |
| Volume | 0 |
| Issue | 5 |
| Pages | 315-315 |
| Publication date | 2017-02-08 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Espacio Tiempo y Forma Serie VII Historia del Arte (JOURNAL) |
| Journal identifiers | ISSN: 1130-4715 • E-ISSN: 2340-1478 |
| Publisher | UNED - Universidad Nacional de Educacion a Distancia (PUBLISHER) |
| DOI | 10.5944/etfvii.5.2017.16191 |
| OpenAlex | W2759549681 |
| Language | ES |
| References cited | 1 |
The image of the house works as an axis in Thomas Virnich’s sculptures. The meaning of the house will be analysed in this study and will let us understand the artist’s research, then having an insight of Virnich’s imaginary universe. Besides, we will show the role of two significant concepts in his work: centre and border. Finally, we will explore the artist’s rejection of a unidirectional view of the reality. This last issue it is obvious in Virnich production due to his attempt to join through his sculptures different dualities such as upper/lower, inner/outer, real/unreal or positive/negative. This paper studies the role of the house following an anthropological and archetypical approach
Art · Art history · Epistemology · Humanities · Meaning (existential · Order (exchange · Psychoanalysis · Sculpture · The Imaginary · Architecture and Art History Studies · Historical Art and Architecture Studies · Latin American Urban Studies · Philosophy · Psychology
| Highly cited | No |
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