Music and styles
The creation by means of the theory of social representations
Bibliographic Data
| ID | 12484331 |
|---|---|
| Authors | Mônica De Almeida Duarte (0000-0002-4136-9168, Departamento de Educación, corresponding author), Monica Duarte |
| Year | 2006 |
| Volume | 14 |
| Issue | 27 |
| Pages | 69-77 |
| Publication date | 2006-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Comunicar (JOURNAL) |
| Journal identifiers | ISSN: 1134-3478 • E-ISSN: 1887-0198 |
| Publisher | Grupo Comunicar Ediciones (PUBLISHER • ES) |
| DOI | 10.3916/c27-2006-11 |
| OpenAlex | W3148530293 |
| Language | EN |
| References cited | 2 |
We approached the theory of the social representations, from the epistemologic perspective of the rhetorical change of the philosophy, like a model for the creation of musical uhits. and soundtracks spread by mass media and characterized by musical topics, figures that reflect the social and psychological processes of the elaboration of musical ideas. The dynamics of this creation seem to be effective for the development of a «sgnificant» teaching process of music teaching. Se aborda la teoría de las representaciones sociales, a partir de la perspectiva epistemológica del viraje retórico de la filosofia, como modelo para la creación de las canciones «de moda» y de las bandas sonoras difundidas por los medios de comunicación sociales y caracterizadas por tópicos musicales, figuras que reflejan los procesos sociales y psicológicos de elaboración de ideas musicales. Esa dinámica de creación se presenta como eficaz para el desarrollo de un proceso usignificativou de enseñanza de la música a los estudiantes
Art · Elaboration · Humanities · Literature · Musical · Perspective (graphical · Rhetorical question · Sociology · Visual arts · Indigenous Cultures and Socio-Education · Literary and Cultural Studies · Social Representations and Identity
| Citation velocity | historical |
|---|---|
| Highly cited | No |