Stanley Kubrick y Jean Renoir
Dos miradas fílmicas a la Gran Guerra
Bibliographic Data
| ID | 12487266 |
|---|---|
| Authors | Carmen Marta-Lazo (0000-0002-0004-1094, Universidad de Zaragoza, corresponding author), José Antonio Gabelas Barroso (Universidad de Zaragoza), Miguel Ángel Ortíz-Sobrino (0000-0003-0103-9524, Universidad Complutense de Madrid), Miguel Ángel Ortiz Sobrino |
| Year | 2013 |
| Volume | 18 |
| Issue | 0 |
| Publication date | 2013-12-10 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Historia y Comunicación Social (JOURNAL) |
| Journal identifiers | ISSN: 1137-0734 • E-ISSN: 1698-3246 |
| Publisher | Servicio de Publicaciones (PUBLISHER • ES) |
| DOI | 10.5209/rev_hics.2013.v18.43420 |
| OpenAlex | W1966662699 |
| Language | EN |
A century ago that started World War I, known until 1939 as the Great War. This first major war of the last century that resulted in the deaths of more than nine million combatants has been argument produced many films especially in America and Europe: Among them, the work of Stanley Kubrick “Paths of Glory” and Jean Renoir film “The Great Illusion”. These are two antiwar films that offer a view of the war from different perspectives. One from the perspective of the battlefield and the other from a less visceral optical armed conflict
Ancient history · Argument (complex analysis · Art · Art history · Battlefield · Glory · Humanities · Illusion · Perspective (graphical · Political science · Spanish Civil War · Visual arts · Cinema History and Criticism · History · Law · Literature, Film, and Journalism Analysis · Medicine · Psychology · Radio, Podcasts, and Digital Media
| Highly cited | No |
|---|