El sello del estilo visual de Dick Pope y Mike Leigh
Análisis de su obra cinematográfica
Bibliographic Data
| ID | 12487284 |
|---|---|
| Authors | Laura Cortés-Selva (0000-0003-0306-9401, Universidad Católica de Murcia, corresponding author) |
| Year | 2014 |
| Volume | 18 |
| Issue | 0 |
| Publication date | 2014-02-11 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Historia y Comunicación Social (JOURNAL) |
| Journal identifiers | ISSN: 1137-0734 • E-ISSN: 1698-3246 |
| Publisher | Servicio de Publicaciones (PUBLISHER • ES) |
| DOI | 10.5209/rev_hics.2013.v18.43983 |
| OpenAlex | W1995797158 |
| Language | ES |
Visual style as part of cinema style reveals the necessity of considering what other cinema creators –like cinematographers– provide to a film. For though, visual style of Dick Pope and Mike Leigh films is analyzed. Firstly, theoretical basis that define stylometry, visual style and quantifiable photographic variables that are part of it, are established. Later on, with a methodology that combines a qualitative and a quantitative approach, an analysis is conducted
Art · Art history · Humanities · Linguistics · Movie theater · Style (visual arts · Stylometry · Visual arts · Advertising and Communication Studies · Media, Journalism, and Communication History · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |