Memorias protésicas
Posmemoria y cine documental en la España contemporánea
Bibliographic Data
| ID | 12487394 |
|---|---|
| Authors | Laia Quílez Esteve (0000-0001-6696-2569, Universitat Rovira i Virgili, corresponding author) |
| Year | 2014 |
| Volume | 18 |
| Issue | 0 |
| Publication date | 2014-02-11 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Historia y Comunicación Social (JOURNAL) |
| Journal identifiers | ISSN: 1137-0734 • E-ISSN: 1698-3246 |
| Publisher | Servicio de Publicaciones (PUBLISHER • ES) |
| DOI | 10.5209/rev_hics.2013.v18.43974 |
| OpenAlex | W2022733152 |
| Language | PT |
| Citations received | 3 |
| References cited | 2 |
This paper approaches the representation of the Spanish Civil War and Franco’s dictatorship in the films directed by the generation of grandchildren of the victims and survivors of that turbulent chapter of history. By analyzing three documentaries (Haciendo memoria, Nadar y Tierra encima) we will try to map the ways in which these young filmmakers work the memory of those years of repression. We also address the way they reflect on memory, history and visual language
Art · Cartography · Cognitive psychology · Dictatorship · Geography · Humanities · Political science · Representation (politics · Spanish Civil War · Traumatic memories · Cinema History and Criticism · History · Italian Fascism and Post-war Society · Law · Psychology · Spanish Culture and Identity
| Citations per year | 0.6 |
|---|---|
| Citation span | 2021 - 2024 (4) |
| Highly cited | No |