Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

How devoted are you? An examination of online music fan behaviour

Bibliographic Data

ID12494151
AuthorsAlicia Perkins (a Newcastle Business School , University of Newcastle , Newcastle , Australia, corresponding author)
Year2012
Volume15
Issue4
Pages354-365
Publication date2012-12-01
Open AccessNo
TypeARTICLE
VenueAnnals of Leisure Research (JOURNAL)
Journal identifiersISSN: 1174-5398 • E-ISSN: 2159-6816
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/11745398.2012.737301
OpenAlexW1991857314
LanguageEN
Citations received8
References cited22

Leisure activities that include culture and the arts such as popular music concerts provide ways for people to connect with others, feel socially included and promote positive community identities. Traditionally, the marketing of popular music concerts has focused on the promotion of genre styles and artists; however, if people are attending concerts to satisfy needs associated with social and individual identity, this may not necessarily be the most effective predictor of attendance frequency. Using a netnographic methodology to observe online fan activities, the aim of this study is to explore the different levels of fan identification evident among online concert goers of a popular rock band. These activities were categorized as behaviour characteristic of casual, loyal, die-hard or dysfunctional fans, using a rock fan typology proposed in previous literature to represent distinct levels of fan engagement in regard to concert attendees. Analysis of different fan behaviours evident in the discussion was contrasted with this rock fan typology. All four levels of fans were identified, dissimilar to previous studies that observed an absence of casual fans. It is suggested that a consideration of consumers’ social and individual identities may lead to the discovery of new promotional strategies aimed at targeting consumers beyond an emphasis on genre and the performing artist

Advertising · Aesthetics · Art · Attendance · Casual · Fandom · Identity (music · Media studies · Political science · Popular culture · Popular music · Promotion (chess · Social science · Sociology · Sophistication · Typology · Visual arts · Media, Gender, and Advertising · Psychology · Sport and Mega-Event Impacts · Sports, Gender, and Society

  • Osobne značajke i životni ciljevi grupe obožavatelja Cellogirls

    Open Access•Tea Gutović, Ina Reić Ercegovac•Sociologija i Prostor•2017

  • Added value and music events

    Alyssa Eve Brown, Νικόλαος Παππάς•Annals of Leisure Research•2021

  • From satisfaction to satiation

    Chien‐Chung Chen, Chien-Chung Chen et al.•Annals of Leisure Research•2018

  • Holographic Abba

    Open Access•Justin Matthews, Angelique Nairn•Popular Music & Society•2023

  • A music community, 10 years later

    Justin Harmon•Journal of Leisure Research•2025

  • A common cause”

    Justin Harmon•World Leisure & Recreation•2022

  • So much for the prattling of sages

    Open Access•Maria K Alberto, Paul Booth•Convergence The International…•2025

  • Language, multiple authenticities and social media

    Open Access•Sender Dovchin•Journal of Sociolinguistics•2015

  • Tramps Like Us

    Daniel Cavicchi•Tramps like us•1998

  • Fandom

    Jonathan Gray, C Lee Harrington et al.•Fandom•2007

  • Handbook of Tourist Behavior

    Metin Kozak, Alain Decrop•Handbook of Tourist Behavior•2009

  • Tune in, Log on

    Nancy K Baym, Nancy Baym•Tune in, log on•2000

  • Star Trek rerun, reread, rewritten

    H Jenkins•Critical Studies in Mass…•1988

  • Simon's travel theorem and the demand for live music

    Open Access•Peter E Earl•Journal of Economic Psychology•2001

  • Fan Cultures

    Matt Hills, Matthew Hills•Fan Cultures•2003

  • Alumni and their alma mater

    Open Access•Fred A Mael, Fred Mael et al.•Journal of Organizational Behavior•1992

  • Home on the page

    Open Access•Marjorie Kibby, Marjorie D Kibby•Popular Music•2000

  • New Zealand popular music, government policy, and cultural identity

    Open Access•Roy Shuker•Popular Music•2008

Citations per year0.73
Citation span2015 - 2025 (11)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae