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From Holocaust Victimization to Construction of Sovereignty Image

A Critical Study on Fauda

Bibliographic Data

ID12515494
AuthorsMuhammed Hüseyin Mercan (0000-0003-4699-0700, Ankara Yıldırım Beyazıt University, Türkiye), Yusuf Ziya Gökçek (0000-0002-8585-7331, Marmara University, Türkiye)
Year2025
Volume27
IssueSummer 2025
Pages207-222
Publication date2025-10-07
Open AccessYes
TypeARTICLE
VenueInsight Turkey (JOURNAL)
Journal identifiersISSN: 1302-177X • E-ISSN: 2564-7717
PublisherFoundation for Political, Economic and Social Research (PUBLISHER • TR)
DOI10.25253/99.2025273.12
OpenAlexW4414918541
LanguageEN

This article analyses the series Fauda, which portrays the Israeli-Palestinian conflict, one of the longest-running conflicts in international politics and the subject of numerous initiatives by the international community. The paper also focuses on series’ narrative based on the conflict’s political dynamics. The main aim of the study is to analyze uses with metonymic abstraction, Israel’s security-oriented strategy narrative and its attempt to legitimize its claim to sovereignty over Palestinian territories and to seek an answer to the question of why Palestinian side is transformed into the passive and trouble-making party. In this context, Fauda is a field of expression where social struggles are reproduced, and the discourse of sovereignty is appropriated in favor of Israel. The innocence defined in Holocaust films evolves into a prevented chaos in Fauda. While humanism is a quality that purifies human being from violence, in Fauda, it is necessary to secure humanist violence

Italian Fascism and Post-war Society

Highly citedNo

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