The Khmer Rouge Tribunal’s first reparation for gender-based crimes
Bibliographic Data
| ID | 12517882 |
|---|---|
| Authors | Rosemary Grey (0000-0002-6773-9518, Sydney Law School, The University of Sydney, Sydney, Australia, corresponding author), Yim Sotheary (Deutsche Gesellschaft für Internationale Zusammenarbeit, Phnom Penh, Cambodia), Somaly Kum, Kum Somaly (Stanford University) |
| Year | 2019 |
| Volume | 25 |
| Issue | 3 |
| Pages | 488-497 |
| Publication date | 2019-09-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Australian Journal of Human Rights (JOURNAL) |
| Journal identifiers | ISSN: 1323-238X • E-ISSN: 2573-573X |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/1323238x.2019.1690251 |
| OpenAlex | W3008904856 |
| Language | EN |
| Citations received | 3 |
| References cited | 7 |
The Khmer Rouge’s crimes of forced marriage and sexual violence have been commemorated in a dance production, entitled Pka Sla Krom Angkar. It is one of several artworks that were recognised in 2018 as “reparations” by the United Nations-backed Khmer Rouge Tribunal, known officially as the Extraordinary Chambers in the Courts of Cambodia (ECCC). In this article, researchers from Australia and Cambodia reflect on the production’s significance from multiple perspectives. It is a catalyst for discussing human rights; a tool for promoting psychological healing; and a part of the ECCC’s legal process
Art · Criminology · Dance · Human rights · Literature · Political science · ROUGE · Sociology · Tribunal · Cambodian History and Society · Gender, Security, and Conflict · Historical and Contemporary Political Dynamics · History · Law
| Citations per year | 0.43 |
|---|---|
| Citation span | 2019 - 2024 (6) |
| Highly cited | No |