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Performing masculinity in the Moroccan theatre

Virility, sexuality and Spanish military culture from the African War to the Civil War

Bibliographic Data

ID12528875
AuthorsSusan Martin-Marquez (0000-0002-3636-9331, Rutgers, the State University of New Jersey, corresponding author), Susan Martin‐Márquez (a Rutgers University)
Year2004
Volume11
Issue2
Pages225-240
Publication date2004-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEuropean Review of History Revue européenne d histoire (JOURNAL)
Journal identifiersISSN: 1350-7486 • E-ISSN: 1469-8293
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/1350748042000240569
OpenAlexW1998682567
LanguageEN
Citations received3
References cited4

This article explores constructions of Spanish masculinity in the first decades of the twentieth century, as Spain engaged in colonialist wars in Morocco; memoirs and literary texts by travellers, soldiers and military leaders such as Francisco Franco and José Millán Astray are read alongside theoretical works. I argue that, like European Orientalism, Spanish Orientalism projects onto Moroccan men an image of fanaticism, barbaric violence and ultra‐virile yet ‘polymorphously perverse’ sexuality. However, that particular image of masculinity is just as often re‐assimilated into a Spanish national identity that can never quite manage to assert its fundamental difference from North Africa

Aesthetics · Art · Art history · Fanaticism · Human sexuality · Identity (music · Literature · Masculinity · Memoir · Orientalism · Political science · Politics · Sociology · Spanish Civil War · Virility · African history and culture studies · Gender Studies · Hispanic-African Historical Relations · History · Law · North African History and Literature

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Unique citing works3
Citations per year0.17
Citation span2008 - 2024 (17)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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