Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Sender, those who have not returned

Carlo Salsa and his ‘Trenches’

Bibliographic Data

ID12529624
AuthorsLUCIO VALENT (0000-0003-1558-1082, Faculty of Humanities, Department of History, University State of Milan, Milan, Italy, corresponding author)
Year2018
Volume25
Issue5
Pages724-745
Publication date2018-09-03
Open AccessNo
TypeARTICLE
VenueEuropean Review of History Revue européenne d histoire (JOURNAL)
Journal identifiersISSN: 1350-7486 • E-ISSN: 1469-8293
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/13507486.2018.1467379
OpenAlexW2898932852
LanguageEN
References cited11

Carlo Salsa’s book ‘Trenches: A foot-soldier’s tales’ (Trincee. Confidenze di un fante, 1924) was one of many published in Italy after the end of the First World War. It describes the facts of the war as they were lived by officers and soldiers on the Italian front line. The article tries to compare the book with the contemporary war literature in Italy and in Europe, without forgetting the use of the international historiography on the matter. Thus, it is analysed the way an Italian author described to his readers the brutal carnage of the war in years when Fascism was the rising star in Italian policy and the censorship was becoming the more and more a thornily factor for every writer of those days. From this analysis it is possible to note the quality of the volume both from the literary point of view, and its historical value as a reliable testimony of the facts, stepping up our knowledge of what the war literature was for the Italian public opinion after the 1918. As it is possible to note, the book puts under test our notions of the role played by this kind of literature in shaping the Italian political life at the end of the 1910s and at the start of 1920s, when Italy was becoming a country lead by the Fascist regime

Aesthetics · Art · Art history · Censorship · Communication source · Forgetting · Front (military · Geography · Historiography · Literature · Performance art · Period (music · Political science · Politics · SALSA · Value (mathematics · World War II · Classics · Computer Science · History · Italian Fascism and Post-war Society · Law · Psychology · Visual Culture and Art Theory · World Wars: History, Literature, and Impact

  • The First World War

    John Keegan•The First World War•1998

  • Italian Futurism and the First World War

    Selena Daly•Italian Futurism and the First…•2016

  • Command or Control? Command, Training and Tactics in the British and German Armies, 1888-1918

    Hew Strachan, Martin A Samuels et al.•The Journal of Military History•1996

  • Isonzo

    Lawrence Sondhaus, John R Schindler•The Journal of Military History•2002

  • Experiences, Images and Political Reflections on the First World War in Italian Interwar Literature

    Open Access•LUCIO VALENT•History•2017

  • The White War. Life and Death on the Italian Front 1915–1919

    Robert Lumley•Journal of Modern Italian Studies•2009

  • "France, the Great War, and the "Return to Experience

    Leonard V Smith•The Journal of Modern History•2016

Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae