Entwined Voices
An Interview with Diamanda Galás
Bibliographic Data
| ID | 12538554 |
|---|---|
| Authors | Nicholas Chare (corresponding author), D Ferrett, Diamánda Galás |
| Year | 2007 |
| Volume | 13 |
| Issue | 1 |
| Pages | 65-73 |
| Publication date | 2007-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Parallax (JOURNAL) |
| Journal identifiers | ISSN: 1353-4645 • E-ISSN: 1460-700X |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/13534640601094890 |
| OpenAlex | W1995153862 |
| Language | EN |
| Citations received | 1 |
Nicholas Chare: As part of Defixiones you give a potent, highly original rendition of Paul Celan's well known poem Todesfuge. Other Celan poems have been sung before; perhaps most notably by Ute Lemper in Michael Nyman's Songbook, but these interpretations have always seemed too beautiful given the pain resting beneath Celan's words. We do not think that this is a claim that can be made about your own performance but when you were singing about the genocides perpetrated by the Ottoman Turks and the Nazis, were you conscious of the danger of aestheticizing the horror
Acoustics · Art · Linguistics · Literature · Nazism · Poetry · Singing · Literature and Cultural Memory · Memory, Trauma, and Commemoration · Philosophy · Philosophy, Ethics, and Existentialism
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,08 |
| Citation span | 2014 - 2014 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |