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Three Ways of Reading a Frontispiece

The Example of the Cairo Būstān

Bibliographic Data

ID12562018
AuthorsSheila Blair (Boston College, corresponding author)
Year2022
Volume32
Issue4
Pages877-896
Publication date2022-06-28
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of the Royal Asiatic Society (JOURNAL)
Journal identifiersISSN: 1356-1863 • E-ISSN: 1474-0591
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1356186322000311
OpenAlexW4283657803
LanguageEN
References cited10

The double-page frontispiece to the manuscript of Saʿdi's Būstān transcribed for the penultimate Timurid ruler Sultan Husayn (r. 1469–1506) and now in the National Library of Egypt (Adab Farisi 22) is well-known and oft-published. Reproduced repeatedly since the turn of the twentieth century, it has become part of the canons of Persian painting, Timurid art, the oeuvre of Bihzad and his circle, masterpieces of the Cairo Library, and more. Connoisseurs and scholars have repeatedly discussed its period details. Barbara Brend, the scholar we honour in this volume, who has written so mellifluously about Persianate painting, analysed the identity and pose of several figures in it. Here I should like to continue the lengthy isnād , suggesting three ways of examining the frontispiece in the context of the manuscript to which it belongs, first structurally as the opening spread in a codex, then literarily as the introduction to a specific text, and finally, historically as a pictorial encomium to the princely patron for whom the manuscript was produced. Altogether, the article looks at three different ways of reading this and other pictorial frontispieces

Ancient history · Archaeology · Art · Art history · Context (archaeology · Honour · Identity (music · Library science · Linguistics · Literature · National library · Painting · Period (music · Persian · Reading (process · Ruler · Theology · Byzantine Studies and History · Classics · Eurasian Exchange Networks · History · Islamic Studies and History · Philosophy

  • Prefacing the Image

    Kishwar Rizvi, David J Roxburgh•The Art Bulletin•2003

  • Kamal Al-Din Bihzad and Authorship in Persianate Painting

    David J Roxburgh•Muqarnas Online•2000

  • La miniature à l'exposition d'art persan de Burlington house

    Armenag Sakisian•Syria•1931

  • Kh w āje Mīrak Naqqāsh

    Assadullah Souren Melikian-Chirvâni•Journal Asiatique•1988

  • The Golden Disk of Heaven

    Marianna Shreve Simpson, Linda Komaroff•Journal of the American Oriental…•1994

Citation velocityhistorical
Highly citedNo

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Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae