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Making Britain a Gayer and More Cultivated Country’

Wilson, Lee and the Creative Industries in the 1960s

Bibliographic Data

ID12585693
AuthorsLawrence Black (0000-0001-9321-2667, Blacktrace (United Kingdom), corresponding author)
Year2006
Volume20
Issue3
Pages323-342
Publication date2006-04-25
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueContemporary British History (JOURNAL)
Journal identifiersISSN: 1361-9462 • E-ISSN: 1743-7997
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/13619460500407012
OpenAlexW2101396161
LanguageEN
Citations received9
References cited5

Interrogating the Wilson administration's cultural agenda seems key given the seismic shifts assumed to characterise British society and particularly cultural life in the 1960s. Yet historians have given this little attention. Exploring Jennie Lee's tenure as Arts Minister this article discloses cultural besides financial tensions over the status and definition of the arts, both within government and between government, a vibrant artistic community and the public. Besides interpreting Wilson's government outside the declinist mainstream, it hints at links with New Labour's penchant for the creative industries and at post-industrial contexts for understanding British politics and culture

Administration (probate law · Creative industries · Cultural policy · Cultural politics · Government (linguistics · Mainstream · Political science · Politics · Social science · Sociology · The arts · Cultural Industries and Urban Development · Irish and British Studies · Law · Political and Economic history of UK and US · Public Administration

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Unique citing works9
Citations per year0,47
Citation span2007 - 2026 (20)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 9

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