Masculine Renunciation or Rejection of the Feminine
Revisiting J.C. Flügel’s Psychology of Clothes
Bibliographic Data
| ID | 12587748 |
|---|---|
| Authors | Chloe Chapin (0000-0001-8238-2150, Moscow State University of Technologies and Management named after K.G. Razumovskiy, corresponding author) |
| Year | 2021 |
| Volume | 26 |
| Issue | 7 |
| Pages | 983-1008 |
| Publication date | 2021-10-11 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Fashion Theory (JOURNAL) |
| Journal identifiers | ISSN: 1362-704X • E-ISSN: 1751-7419 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/1362704x.2021.1952919 |
| OpenAlex | W3206624198 |
| Language | EN |
| Citations received | 1 |
| References cited | 22 |
In this article, I revisit J.C. Flügel’s conception of the “Great Masculine Renunciation” and its lasting effect on fashion scholarship. Coined in Flügel’s 1930 book The Psychology of Clothes, the term was quickly adopted by early dress historians, though it has often been used in extraction from its original context. Flügel’s framework of psychology both illuminated and limited his analysis of men’s clothing: I compare his early 20th-century psychological analysis to the real historical style changes between the 18th and 19th centuries, and the profound, lasting impact they had not just on men, but on broader understandings of gender, class, and nationality. I challenge Flügel’s definition of the changes in fashions that did occur at the end of the 18th century as essentially about masculinity—by far the more profound impact has been the associated assigning of women’s dress to the character of “fashion,” a role which had previously been held by both genders of the upper class. While it is not invalid to consider this esthetic shift in terms of a loss for men, it also allowed for women’s fashion to be marked as fashion, and for women and nonwhite, non-western, or non-heteronormative men to be marked as “other.”
Aesthetics · Archaeology · Art · Character (mathematics · Clothing · Context (archaeology · Literature · Masculinity · Renunciation · Scholarship · Sociology · Style (visual arts · Theology · Art, Politics, and Modernism · Fashion and Cultural Textiles · Gender Studies · Historical Gender and Feminism Studies · History · Law · Philosophy · Psychology
Sartorial Ideologies
Sartorial Ideologies
Gender
Gender
Dress in Eighteenth-Century Europe, 1715-1789
Obituary Notice
Decorated Men
J.C. Flügel and the Nude Future
Visual Pleasure and Narrative Cinema
The Three-Piece Suit and Modern Masculinity
On the Mental Attitude to Present‐day Clothes
Sexual and Social Sentiments 1
The Cut of His Coat
The International Journal of Psychoanalysis
Encyclopaedia Sexualis
A Hundred Years of Psychology
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |