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Between Studio and Catwalk—Artists in Fashion Magazines

Bibliographic Data

ID12587914
AuthorsÄntje Krause-Wahl (0000-0003-3279-0951, Antje Krause-Wahl holds a PhD in art history and is currently teaching at the Akademie of Fine Arts, Mainz. She is co-editor of Erblätterte Identitäten. Mode—Kunst—Zeitschrift (Jonas, 2006), a book that accompanies an exhibition of the same title. A recent article on architecture in Harper's Bazaar is published in Annette Geiger (ed.) Der schöne Körper (Böhlau, 2008)., corresponding author)
Year2008
Volume13
Issue1
Pages7-27
Publication date2008-12-30
Open AccessNo
TypeARTICLE
VenueFashion Theory (JOURNAL)
Journal identifiersISSN: 1362-704X • E-ISSN: 1751-7419
PublisherRoutledge (PUBLISHER • GB)
DOI10.2752/175174109x381337
OpenAlexW2221285230
LanguageEN
Citations received1
References cited7

Looking at photographs of artists in their studios during the 1940s and 1950s, fashion spreads of artists as models in the 1960s and the early 1970s and in current fashion spreads, this article traces the shifting modes of representation from studio to catwalk. Paying attention to magazines as “instruction manuals,” the term “model” is used to understand the staging of the artist. In looking closely at how images of artists are integrated in the magazines’ layout, it is argued that fashion magazines assign a creative potential to the artist, which first is connected to their work in the studio but which also extends to include the self-creation and reflection of the artists’ identity. This twofold creativity is variously staged, making the artists attractive to the readers and finally setting out a role model for them “on the catwalk.”

Aesthetics · Art · Creativity · Identity (music · Politics · Representation (politics · Studio · Visual arts · Art, Politics, and Modernism · Cultural Industries and Urban Development · Fashion and Cultural Textiles · Psychology

  • A Known Beauty

    Ana Finel Honigman•Fashion Theory•2015

  • Women’s Worlds

    Open Access•Ros Ballaster, Margaret Beetham et al.•Women's Worlds•1991

  • "A Taste for Pop

    Cecile Whiting•A taste for pop•1997

  • De/constructing Fashion/Fashions of Deconstruction

    Hanne Loreck•Fashion Theory•2002

  • The Artist in His Studio

    Moshe Bergstein•Oxford Art Journal•1995

  • Clothes Make the Man

    A Jones, Andrew Meirion Jones•Oxford Art Journal•1995

  • Designing Women

    Open Access•Peter McNeil•Art History•1994

  • Looking Good

    Open Access•R Lewis•Feminist Review•1997

Citations per year0.09
Citation span2015 - 2015 (1)
Highly citedNo
Open DOISci-Hub
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