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Bibliographic Data

ID12588124
AuthorsAmy De La Haye (Amy de la Haye is Reader in Fashion Curation & Material Culture and Co-Director of MA Fashion Curation at London College of Fashion. She is currently co-writing (with Judith Clark) a book on fashion curation (Yale University Press)., corresponding author), Judith Clark (Judith Clark is Reader in Fashion Curation and Co-Director of the MA Fashion Curation at London College of Fashion. Exhibitions she has curated include Spectres: When Fashion Turns Back (MoMu, Antwerp and V&A).)
Year2008
Volume12
Issue2
Pages137-169
Publication date2008-04-26
Open AccessNo
TypeARTICLE
VenueFashion Theory (JOURNAL)
Journal identifiersISSN: 1362-704X • E-ISSN: 1751-7419
PublisherRoutledge (PUBLISHER • GB)
DOI10.2752/175174108x298962
OpenAlexW2069370455
LanguageEN
Citations received5
References cited7

This article develops a paper, of the same title, presented jointly by the authors at London College of Fashion's Centenary Conference in Fall 2006. It examines and explores how curatorial interventions can inform the interpretation and display of dress within the context of the museum or gallery. To do this it case-studies one garment type—the mass-produced, overall coats manufactured as part of the working uniform of Britain's Women's Land Army (WLA) during the Second World War. Initially curator and dress historian Amy de la Haye examines the processes of acquisition, object description, classification, and empirical evidence and then proposes some curatorial strategies for interpreting the coats. Then, exhibition-maker and curator Judith Clark will make suggestions as to how these garments might be further interpreted through issues of display, within the temporary space of an exhibition

Archaeology · Art · Clothing · Context (archaeology · Exhibition · Interpretation (philosophy · Linguistics · Object (grammar · Sociology · Visual arts · Computer Science · Crafts, Textile, and Design · Fashion and Cultural Textiles · Historical Gender and Feminism Studies · History · Philosophy · Artificial Intelligence

  • “Digital craftsmanship” as a methodology for fashion research

    Open Access•Alessandra Varisco, Martina Ponzoni et al.•European Journal of Cultural…•2025

  • Curating Political Subjects

    Open Access•Delacey Tedesco•GeoHumanities•2021

  • Reflections on blending garment analysis with wardrobe interviews

    S Wood•International Journal of Fashion…•2024

  • Old” Glossies and “New” Histories

    Felice McDowell•Fashion Theory•2015

  • Strike a pose

    Open Access•C Davies•Journal of Material Culture•2021

  • The Past is a Foreign Country

    David Lowenthal•The Past is a Foreign Country•1999

  • Visual and Other Pleasures

    Open Access•Laura Mulvey•Visual and Other Pleasures•1989

  • The interpretation of dreams.

    Sigmund Freud, Joyce Crick et al.•The interpretation of dreams•1913

  • Nostalgia, Gender, and the Countryside

    Open Access•Susan R Grayzel•Rural History•1999

  • Handbook of Material Culture

    Christopher Tilley, Webb Keane et al.•Handbook of Material Culture•2006

Citations per year0.45
Citation span2015 - 2025 (11)
Highly citedNo

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Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae