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A Heady Relationship

Fashion Photography and the Museum, 1979 to the Present

Bibliographic Data

ID12588143
AuthorsVal Williams (0000-0002-8608-7842, Val Williams is Professor of History and Culture at University of the Arts London. She is the Director of the Photography and the Archive Research Centre at the London College of Communication, and a Senior Research Fellow at the London College of Fashion., corresponding author)
Year2008
Volume12
Issue2
Pages197-218
Publication date2008-04-26
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFashion Theory (JOURNAL)
Journal identifiersISSN: 1362-704X • E-ISSN: 1751-7419
PublisherRoutledge (PUBLISHER • GB)
DOI10.2752/175174108x299998
OpenAlexW2159577851
LanguageEN
Citations received1

This article looks at the relationship between fashion photography and the museum between 1979 to the present, giving particular attention to the emergence of fashion photography as a part of museum programming in the late 1970s. It explores the often uneasy relationship between photographers and their fashion practice and the ways in which the museum has used fashion photography to increase and democratize audience

Art · Photography · Visual arts · Art, Politics, and Modernism · Fashion and Cultural Textiles · Visual Culture and Art Theory

  • Lee Miller in Fashion

    Bronwyn Clark-Coolee•Fashion Theory•2015

Unique citing works1
Citations per year0.09
Citation span2015 - 2015 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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