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Genres at work

A holistic approach to genres in book publishing

Bibliographic Data

ID12599014
AuthorsK Berglund (0000-0001-7280-1112, Uppsala University, corresponding author)
Year2021
Volume24
Issue3
Pages757-776
Publication date2021-04-28
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Journal of Cultural Studies (JOURNAL)
Journal identifiersISSN: 1367-5494 • E-ISSN: 1460-3551
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/13675494211006097
OpenAlexW3159580472
LanguageEN
Citations received6
References cited22

This article presents a holistic approach to the study of genres in book publishing that includes formal aspects of literary texts, marketing strategies and categorisations used by producers, and perspectives on how these labels are perceived by readers and critics, as well as a temporal and spatial understanding of how genres evolve. The empirical point of departure is the recent boom in Nordic Noir, exemplified by the following three Swedish authors successful in the 21st century: Lars Kepler, Jens Lapidus and Camilla Läckberg. The discourses surrounding Nordic Noir and how these authors and their writing relate and get related to it are used as an example of how book-trade genres operate in multiple and complex ways, and how genres produce effects that move back and forth among creators, producers and consumers. It proposes a twofold model, where genres are understood as constituted by all of the relations between these areas together. Through Kepler, Lapidus and Läckberg, the article shows how Nordic Noir has emerged over the years; how it changes with its publishing context; and how the genre’s internal discrepancy between literary content and marketing and reception is a crucial component in understanding Nordic Noir

Art · Boom · Context (archaeology · Kepler · Literature · Media studies · Paratext · Point (geometry · Publishing · Sociology · Computer Science · Crime and Detective Fiction Studies · Digital Games and Media · Engineering · History · Narrative Theory and Analysis

  • On top of the world

    Open Access•K Berglund, Jesper Gulddal et al.•Translation Studies•2025

  • Book Descriptions Across Genres

    Open Access•Alyssa Stevens, Sariah Roulstone et al.•Publishing Research Quarterly•2025

  • Author gender and text characteristics in contemporary Swedish fiction

    Open Access•Mats Dahllöf•Language and Literature…•2024

  • Why Do We Listen to Audiobooks? The Role of Narrator Performance, BGM, Telepresence, and Emotional Connectedness

    Open Access•Duxue Ji, Boquan Liu et al.•SAGE Open•2024

  • Writing by women or for women? Either way, You're less likely to be reviewed

    Open Access•K W Kim, Phillipa Chong et al.•Poetics•2023

  • Pushing the boundaries

    Open Access•Alexandre Michelson•Poetics•2022

  • Rape in Stieg Larsson’s Millennium Trilogy and Beyond

    Open Access•Berit Åström, Katarina Gregersdotter et al.•Rape in Stieg Larsson's…•2013

  • The gendering power of genres

    Open Access•Ana Alacovska•Organization•2017

  • Death in a Cold Climate

    Open Access•Barry Forshaw•Death in a Cold Climate•2012

  • Nordic noir in the UK

    Open Access•Jakob Stougaard‐nielsen•Journal of AESTHETICS & CULTURE•2016

  • Scandinavian Crime Fiction

    Rosemary Erickson Johnsen•Scandinavian Studies•2012

  • Toward an Aesthetic of Reception

    Michael Sprinker, Hans Robert Jauß et al.•Modern Language Notes•1982

  • Genre as social action

    Christina R Miller, Carolyn R Miller•Quarterly Journal of Speech•1984

  • The Origin of Genres

    Tzvetan Todorov, Richard M Berrong•New Literary History•1976

  • The Law of Genre

    Jacques Derrida, Avital Ronell•Critical Inquiry•1980

Unique citing works6
Citations per year1,5
Citation span2022 - 2025 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 6

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Open DOIOpen Access
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