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The cultural tragedy of production and the expropriation of the brickolariat

The Lego Movie as consumer-capitalist myth

Bibliographic Data

ID12599028
AuthorsMatthias Zick Varul (Independent Sociologist, Rottenburg on Neckar, Germany, corresponding author)
Year2017
Volume21
Issue6
Pages724-743
Publication date2017-08-03
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Journal of Cultural Studies (JOURNAL)
Journal identifiersISSN: 1367-5494 • E-ISSN: 1460-3551
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/1367549417718208
OpenAlexW2744769998
LanguageEN
References cited37

The Lego Movie is analysed as a consumer-capitalist myth reworking audience expectations and frustrations under contemporary capitalism into a comforting and consumable story. It does so by summoning two heterogeneous mythical topoi which are available as slates in the Western cultural repertoire, namely that of Plato’s demiurgic cosmogony and Erotic anthropology to represent a producerist engineering ethos, and the Native American Coyote stories to represent a consumerist ethos of bricolage. Posing as a narrative of empowerment, it promotes the activation of consumer inventiveness in ‘prosumption’ as a solution to the Simmelian tragedy of culture while containing the subversive potential in the recognition of extra-organisational creativity. The ideological ‘function’ of the Lego myth is a contribution to the legitimacy of a system whose modus of existence is that of permanent crisis against a nostalgic yearning for bygone certainties. For its audiences, it provides a therapeutic narrative that facilitates the interpretation of their experience of continuously contradictory role expectations as meaningful

Aesthetics · Art · Capitalism · Ethos · Ideology · Interpretation (philosophy · Legitimacy · Literature · Mythology · Narrative · Political science · Social science · Sociology · Tragedy (event · Consumer Behavior in Brand Consumption and Identification · Law · Management and Organizational Studies · Philosophy

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Citation velocityhistorical
Highly citedNo
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