Mail-order brides’ in popular culture
Colonialist representations and absent discourse
Bibliographic Data
| ID | 12601732 |
|---|---|
| Authors | Bonnie Zare (0000-0002-4405-2537, University of Wyoming, corresponding author), S Lily Mendoza (Oakland University) |
| Year | 2011 |
| Volume | 15 |
| Issue | 4 |
| Pages | 365-381 |
| Publication date | 2011-12-22 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of Cultural Studies (JOURNAL) |
| Journal identifiers | ISSN: 1367-8779 • E-ISSN: 1460-356X |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/1367877911419160 |
| OpenAlex | W2108391707 |
| Language | EN |
| Citations received | 10 |
| References cited | 16 |
Over the past decade clever marketing and wider access to the internet has led to the exponential growth of ‘mail-order’ marriage industries, vastly increasing the number of women who migrate for marriage using these commercial services. Taken within the context of global predatory capitalism, such phenomenon is of interest in that it appears to convene in its dynamics the intersecting operation of gender and class inequality, sexism, racism, and colonialism that, far from diminishing, seems only to further intensify with the increase in transnational cross-border traffic between populations. In this study, we investigate the complicity of knowledge-production practices within popular culture in the perpetuation of such dynamics within the ‘mail-order’ marriage industry. In particular, we focus on the politics of representation around the figure of the so-called ‘mail-order bride’ as produced in various genres and sites in North America over the past 15 years. Our study revealed, as expected, an intensely narrow and colonialist discourse constituting the women involved in such commercial transactions as commodity objects, victims, or victimizers. But, as well, we found five potentially counter-hegemonic works that serve to represent an alternative discourse that at least gestures toward a more diverse and complex representation of these women and of married life, employing devices such as irony, parody, spoofing, and other tongue-in-cheek references. However, as our conclusion demonstrates, despite such admirable interventions, some aspects of agency-arranged marriages remain utterly absent in North American popular culture, thereby perpetuating and ultimately failing to displace the dominant discourse on this population of women
Agency (philosophy · Capitalism · Colonialism · Complicity · Context (archaeology · Media studies · Political science · Politics · Popular culture · Social science · Sociology · Gender Studies · Gender, Feminism, and Media · History · Law · Migration and Labor Dynamics · Sex work and related issues
Resignificación, reacomodo e intercambio de capitales en parejas globales
Translingual identity
« C’était une femme à qui il fallait un époux et lui un homme qui voulait une épouse… ». Les représentations filmographiques des mariages par correspondance
Les agences matrimoniales internationales postsoviétiques
Crossing Social Boundaries in an Immigration Context
Global Love for Sale
Desired, yet unwanted
The Russian Cyber‐Bride as Geopolitical Fantasy
The Domestic Exotic
Attitudes toward transnational intermarriage in China
The Age of Migration
Recapturing anthropology
Third World Women and the Politics of Feminism
Gender and Migration in Southern Europe
The Age of Migration
The Age of Migration
Media and Cultural Studies
Male-Order” Brides
Shot Dead in Courthouse”
Gendering the Politics of Migration
Dis/locating Cultures/Identities, Traditions, and Third World Feminism
Cross-Border Marriages
Under Western Eyes
| Unique citing works | 10 |
|---|---|
| Citations per year | 0,91 |
| Citation span | 2015 - 2022 (8) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 9 |