Technologies of public culture
Heritage encounters with photography, television and the web
Bibliographic Data
| ID | 12602004 |
|---|---|
| Authors | Elizabeth Stainforth (0000-0003-2917-3522, University of Leeds, corresponding author), Ana Baeza Ruiz (0000-0002-5242-6383, V&A Museum, UK) |
| Year | 2018 |
| Volume | 22 |
| Issue | 4 |
| Pages | 595-611 |
| Publication date | 2018-09-24 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of Cultural Studies (JOURNAL) |
| Journal identifiers | ISSN: 1367-8779 • E-ISSN: 1460-356X |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/1367877918801036 |
| OpenAlex | W2892543515 |
| Language | EN |
| Citations received | 1 |
| References cited | 26 |
The operations through which cultural heritage institutions perform their civic and governmental roles have been identified with a logic of visual apprehension by writers such as Tony Bennett. This article explores how these institutions have ordered and regulated contact with their publics via a negotiation of different visual communication technologies, specifically, photography, television and the web. Through analysis of individual cases, it is possible to discern the shifting relationship between public heritage institutions and their audiences, as mediated by these technologies. It is argued that this approach develops a distinctive understanding of public culture and demonstrates the ways in which notions of publicness shape and are shaped by visual communication technologies in the cultural heritage context
Apprehension · Art · Context (archaeology · Cultural heritage · Cultural heritage management · Epistemology · Media studies · Negotiation · Photography · Political science · Public relations · Social science · Sociology · Visual arts · Visual Communication · Visual culture · Anthropology · History · Law · Museums and Cultural Heritage · Photography and Visual Culture · Visual Culture and Art Theory
Television
Theorizing Digital Cultural Heritage
Unique in the Crowd
Updating to Remain the Same
Tv Viewing as Good Citizenship? Political Rationality, Enlightened Democracy and PBS
Museum of Fine Arts, Boston
Culture, government and spatiality
Signs of the Holocaust
Dissemination and dialogue in the public sphere
Museum Frictions
Twilight Memories
Making Public Television Social? Public Service Broadcasting and the Challenges of Social Media
Public Service Broadcasting
Television Resurrections
The birth of the museum
Public Service Media Utilities
Finding Meaning in Memory
The Enduring Ephemeral, or the Future Is a Memory
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2020 - 2020 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |