Descartes’ Man Under Construction

This paper studies the “human circulatory statues” which Salomon Reisel designed in the 1670s in order to demonstrate the circulation of the blood and its effect on the brain. It investigates how Reisel intended this project to promote Descartes’ philosophy, and how it relates to contemporary diagrammatic schematizations of the blood circulation system. It further explores Reisel’s claims concerning the epistemological and practical advantages of working with a three-dimensional model and argues that Reisel intended his statua to address the concerns of his fellow physicians and, more specifically, to help in diagnostics. I consider the background, strategy and legacy of the essays in which Reisel presented his devices, as well as their relevance to the general project of the scien­tific journal – one of the earliest – in which they appeared, the Miscellanea Curiosa . Reisel was a leading physician who acted throughout his life as a mediator between the Royal Society and the Academia Naturæ Curiosorum. His articles, the paper argues, have much to tell us much about the role played by the recently established scientific academies and their journals in shaping the transmission of early modern science and medicine, in terms both of theories and of the knowledge embodied in scientific instruments

Art history · Blood circulation · Diagrammatic reasoning · Embodied cognition · Epistemology · History of science · Political science · Relevance (law · Sociology · Statue · Historical Philosophy and Science · History · History of Medicine Studies · History of Science and Medicine · Law · Medicine · Philosophy