Introduction The Art of Embassy

Situating Objects and Images in the Early Modern Diplomatic Encounter

Datos Bibliográficos

ID12622692
AutoresNancy Um (0000-0002-7551-8942, Binghamton University and The Open University, autor de correspondencia), Leah R Clark (0000-0002-8036-9857, Binghamton University and The Open University)
Año2016
Volumen20
Número1
Páginas3-18
Fecha de publicación2016-01-26
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaJournal of Early Modern History (JOURNAL)
Identificadores de la revistaISSN: 1385-3783 • E-ISSN: 1570-0658
EditorialBrill (PUBLISHER • NL)
DOI10.1163/15700658-12342487
OpenAlexW2287878529
IdiomaEN
Citas recibidas10
Referencias citadas5

This essay makes the case that visual and material approaches may hold the key to the study of early modern diplomatic encounters, which were always undergirded by the exchange of objects and often represented (or imagined) in pictorial form. It calls for a visually and materially intensive approach to diplomacy by privileging objects of exchange, such as gifts, as crucial tools of cross-cultural mediation and communication, while also looking closely at visual representations of encounter in line with relevant textual sources. Building on recent studies that have called for a new diplomatic history, this essay situates ambassadors as envoys with a certain amount of agency and independence, rather than conveyors of fixed state positions, thus calling for a dynamic understanding of early modern embassy, which was comprised of meanings articulated not just by polities, but also by individual human actors and things

Aesthetics · Agency (philosophy · Art · Diplomacy · Epistemology · Independence (probability theory · Mediation · Political science · Politics · Sociology · State (computer science · Computer Science · Early Modern Women Writers · Historical Influence and Diplomacy · History · History, Culture, and Diplomacy · Law · Philosophy