Producción de ficción televisiva española a partir de la desregulación
Entre la atomización de las empresas y la concentración vertical
Bibliographic Data
| ID | 12623734 |
|---|---|
| Authors | Charo Lacalle (0000-0002-0024-6591, Universitat Autonòma de Barcelona, corresponding author), Mariluz Sánchez-Ares |
| Year | 2019 |
| Volume | 28 |
| Issue | 1 |
| Publication date | 2019-01-08 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | El Profesional de la Informacion (JOURNAL) |
| Journal identifiers | ISSN: 1386-6710 • E-ISSN: 1699-2407 |
| Publisher | Ediciones Profesionales de la Informacion SL (PUBLISHER) |
| DOI | 10.3145/epi.2019.ene.10 |
| OpenAlex | W2911086569 |
| Language | ES |
| Citations received | 5 |
| References cited | 5 |
This article attempts to mitigate the absence of data and empirical research on the different types of production of Spanish television fiction, from the initial predominance of in-house production to the near complete industry wide trend of outsourcing. The sample includes 490 productions aired on national networks between 1990 and 2017 across 234 production houses. The research reveals that more than 60% of independent producers have partaken in only one production, while 10 studios (including the three major national networks) are responsible for more than half of the productions. The analysis highlights the paradoxical nature of a sector whose growing specialization and vertical concentration coexists with the atomization of independent producers
Agricultural science · Art · Business · Economics · Geography · Humanities · Outsourcing · Production (economics · Studio · Visual arts · Art History and Market Analysis · Cultural Industries and Urban Development · Marketing
| Citations per year | 0.83 |
|---|---|
| Citation span | 2020 - 2026 (7) |
| Highly cited | No |