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Reutilización de imágenes de archivo en televisión

Derechos de propiedad y de uso

Bibliographic Data

ID12624652
AuthorsPaloma Hidalgo-Goyanes (corresponding author), Iris López-de-Solís (Television Research Institute)
Year2014
Volume23
Issue1
Pages65-71
Publication date2014-01-01
Open AccessYes
TypeARTICLE
VenueEl Profesional de la Informacion (JOURNAL)
Journal identifiersISSN: 1386-6710 • E-ISSN: 1699-2407
PublisherEdiciones Profesionales de la Informacion SL (PUBLISHER)
DOI10.3145/epi.2014.ene.08
OpenAlexW2035769018
LanguageES
Citations received3

The reuse of archive footage is usual in television productions to complete or contextualize a story, to develop a biography or to cover anniversaries. Other times it is used when there are no current images related to the story or just to fill the schedule grid. However, not all archive materials can be reused; contractual rights, intellectual property and individuals’ fundamental rights must be preserved. The lack of awareness of these standards and restrictions can create problems. Pictures from the Internet have become another common audiovisual source, but due to their special characteristics, they must be used very carefully

Art · Cover (algebra · Humanities · Intellectual property · Political science · Reuse · Schedule · The Internet · World Wide Web · Computer Science · Engineering · Law · Media, Journalism, and Communication History · Photographic and Visual Arts · Radio, Podcasts, and Digital Media

  • La impronta de las políticas de gestión de archivos en la labor formativa de los medios. Estudio comparativo de las radios líderes en España y Portugal

    Open Access•Miriam Rodríguez Pallares•Estudios sobre el Mensaje…•2018

  • El Archivo Radiofónico en Portugal

    Open Access•Miriam Rodríguez Pallares, Paulo Faustino•Informação & Sociedade Estudos•2017

  • Uso de imágenes de archivo en miniseries “basadas en un hecho real”

    Open Access•Elena de la Cuadra Colmenares•Communication & Society•2020

Citations per year0.33
Citation span2017 - 2020 (4)
Highly citedNo

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