Os sentidos da arte estrangeira no Brasil
Exposições de arte no contexto da Segunda Guerra Mundial
Bibliographic Data
| ID | 12640350 |
|---|---|
| Authors | Paulo Knauss (Universidade Federal Fluminense, corresponding author) |
| Year | 2008 |
| Volume | 15 |
| Issue | 19 |
| Publication date | 2008-03-21 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Esboços histórias em contextos globais (JOURNAL) |
| Journal identifiers | ISSN: 1414-722X • E-ISSN: 2175-7976 |
| Publisher | Universidade Federal de Santa Catarina (UFSC) (PUBLISHER) |
| DOI | 10.5007/2175-7976.2008v15n19p187 |
| OpenAlex | W2021342989 |
| Language | PT |
The issue of this paper is the relationship between foreign art and national art in Brazil. The focus is on the art exhibitions organized by different countries in the political context of the Second World War. In this sense, the starting point is the characterization of art and exhibitions as a diplomacy instrument, promoting different art tendencies in Brazil. The political concurrence informed plastic arts variations. At the end, the analysis highlights how the reception of European art in Brazil has driven to a nationalizing appropriation of the foreign artistic forms. Thus, the proposal consists in a research about the senses of foreign art in Brazil
Appropriation · Art · Art history · Contemporary art · Context (archaeology · Diplomacy · Exhibition · Foreign policy · Humanities · Performance art · Political science · Politics · The arts · Visual arts · History · History of Education Research in Brazil · History, Culture, and Society · Law · Philosophy · Sociology and Education in Brazil
| Citation velocity | historical |
|---|---|
| Highly cited | No |