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Os sentidos da arte estrangeira no Brasil

Exposições de arte no contexto da Segunda Guerra Mundial

Bibliographic Data

ID12640350
AuthorsPaulo Knauss (Universidade Federal Fluminense, corresponding author)
Year2008
Volume15
Issue19
Publication date2008-03-21
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEsboços histórias em contextos globais (JOURNAL)
Journal identifiersISSN: 1414-722X • E-ISSN: 2175-7976
PublisherUniversidade Federal de Santa Catarina (UFSC) (PUBLISHER)
DOI10.5007/2175-7976.2008v15n19p187
OpenAlexW2021342989
LanguagePT

The issue of this paper is the relationship between foreign art and national art in Brazil. The focus is on the art exhibitions organized by different countries in the political context of the Second World War. In this sense, the starting point is the characterization of art and exhibitions as a diplomacy instrument, promoting different art tendencies in Brazil. The political concurrence informed plastic arts variations. At the end, the analysis highlights how the reception of European art in Brazil has driven to a nationalizing appropriation of the foreign artistic forms. Thus, the proposal consists in a research about the senses of foreign art in Brazil

Appropriation · Art · Art history · Contemporary art · Context (archaeology · Diplomacy · Exhibition · Foreign policy · Humanities · Performance art · Political science · Politics · The arts · Visual arts · History · History of Education Research in Brazil · History, Culture, and Society · Law · Philosophy · Sociology and Education in Brazil

Citation velocityhistorical
Highly citedNo

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Open DOIOpen Access
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