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Adorno and Proust on the Recovery of Experience

Bibliographic Data

ID12643269
AuthorsRoger Foster (Manhattan Community College of the City University of New York, corresponding author)
Year2007
Volume8
Issue2
Pages169-185
Publication date2007-02-05
Open AccessNo
TypeARTICLE
VenueCritical Horizons (JOURNAL)
Journal identifiersISSN: 1440-9917 • E-ISSN: 1568-5160
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1558/crit.v8i2.169
OpenAlexW2091443879
LanguageEN
Citations received2
References cited5

I argue in this paper that a recovery of the cognitive role of the experiencing subject is the common theme uniting Theodor Adorno's philosophy and Marcel Proust's literary project. This shared commitment is evidenced by the importance given by both thinkers to the expressive dimension of language in relation to its social function as a vehicle for communication. Furthermore, I argue that Adorno and Proust conceive of language's expressive dimension as the expression of suffering. However, whereas, for Proust, this means the private suffering of the artist transforming itself into a work of art, for Adorno it means suffering that is rooted in sociohistorical conditions. It is this thesis, I suggest, that enables Adorno to employ the recovery of the experiencing subject as a form of social criticism

Aesthetics · Art · Criticism · Dimension (graph theory · Epistemology · Expression (computer science · Function (biology · Literature · Metaphysics · Philosophy of language · Psychoanalysis · Relation (database · Sociology · Subject (documents · Theme (computing · French Literature and Criticism · Philosophy · Philosophy, Ethics, and Existentialism · Psychology · Wittgensteinian philosophy and applications

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Citations per year1
Citation span2024 - 2024 (1)
Highly citedNo

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