Mateship with Brumbies

The feral horses of the Australian Alps—“brumbies”, as they are usually called—have occupied considerable space in settler-Australian culture since the 1890 publication of “The Man from Snowy River”. From the 1980s onwards, brumbies have been culled periodically to preserve “native” alpine ecosystems, which have not evolved to support hoofed animals. Such culls, however, are often highly controversial. This article uses Sara Ahmed's concept of affective economies to explain why the culling of brumbies generates such heated debate and intense public outpourings of emotion. I relate the hyperaffective public performances of brumby supporters to a crisis in settler identity in Australia: as Indigenous activism has undermined the legitimacy of settler claims to belonging, some settlers have begun to use brumbies to assert their own kind of indigeneity

Aesthetics · Art · Culling · Ethnology · Geography · Identity (music · Indigenous · Legitimacy · Political science · Politics · Sociology · Gender Studies · Geographies of human-animal interactions · Human-Animal Interaction Studies · Law · Ecology

• Dead Horse Gap

  Julieanne Lamond•Australian Humanities Review•2023

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