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Placemaking through Dasein

Painting Tropical Space

Bibliographic Data

ID12648124
AuthorsAngela Meyer (0000-0003-4120-3827, James Cook University, corresponding author), Stephen Naylor (0000-0002-4904-1845, James Cook University), Richard Lansdown (0000-0002-7847-8261, James Cook University)
Year2016
Volume15
Issue1
Publication date2016-08-02
Open AccessYes
TypeARTICLE
VenueeTropic electronic journal of studies in the tropics (JOURNAL)
Journal identifiersISSN: 1448-2940 • E-ISSN: 1448-2940
PublisherJames Cook University (PUBLISHER • AU)
DOI10.25120/etropic.15.1.2016.3356
OpenAlexW2738443708
LanguageEN
References cited10

This paper looks at the role of art in understanding place as a construct of the imagination, reactions to the real and lived experience. The making of a place by the activities and actions within place constitute over time notions of what things are, what they mean and how meaning is constructed from symbolism and kinaesthesia. Placemaking establishes the meaning of a spatial context by symbolic gestures, objects and experiences. Dasein internalises inherent meaning from being in space where; “Dasein is thoroughly temporal,” and, “self and world are a unity” (Guignon, 2006, p. 134). These things together formulate the temporal frontier of culture as a transient space of activity and evolution. The tropics as a framework were explored in my research through artists painting the wet tropics of North Queensland

Aesthetics · Archaeology · Art · Construct (python library · Context (archaeology · Epistemology · Frontier · Geography · Gesture · Linguistics · Meaning (existential · Painting · Placemaking · Sociology · Urban design · Visual arts · Computer Science · Cultural Industries and Urban Development · Diverse Aspects of Tourism Research · Museums and Cultural Heritage · Philosophy · Architecture · Artificial Intelligence

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Highly citedNo

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