The Pleasures of Reading in Alison Bechdel's Fun Home

Bibliographic Data

ID12648584
AuthorsJulia Watson (0000-0003-3972-3006, corresponding author)
Year2012
Volume9
Issue3
Pages303-314
Publication date2012-08-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLife Writing (JOURNAL)
Journal identifiersISSN: 1448-4528 • E-ISSN: 1751-2964
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/14484528.2012.692652
OpenAlexW2093241252
LanguageEN
Citations received2
References cited9

Fun Home includes allusions to and graphic representations of several kinds of texts—masterworks of literary modernism and Realism, classics of homoerotic fiction and autobiography, coming-out narratives, as well as Bechdel's parents' letters and photographs, official documents, maps, and anatomical and architectural drawings. Juxtaposed in its frames as visual collage, they mediate between ‘high’ and ‘low’ cultures and create a visual ‘archive of feeling’ (Cvetcovich) that attests to both the forms and the power of American discourses of sexuality in the latter half of the twentieth century. The ‘network of transversals’ established in such masterworks as Proust's Remembrance of Things Past, Joyce's Ulysses, and the Odyssey generates a structure of reversals and recognitions that both contextualises, and provides enabling frameworks for interpreting the meaning of, personal events, notably the death of teenaged Alison's father and her sense of trans-generational identifications around sexuality in the family. In addition to such intellectual puzzles, the stimulus of sexual stories, as of language itself, stirs the erotic pleasures of reading in her text. Keywords: autographicarchiveautomedialityintertextuality Notes 1. For a discussion of automediality, see Smith and Watson, 168

Art · Linguistics · Literature · Reading (process · Comics and Graphic Narratives · Digital Storytelling and Education · History · Philosophy

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