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Mediating War

Hot Diaries, Liquid Letters and Vivid Remembrances

Bibliographic Data

ID12648795
AuthorsHoward Wolf (0000-0002-3053-9600, corresponding author)
Year2012
Volume9
Issue3
Pages327-336
Publication date2012-08-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLife Writing (JOURNAL)
Journal identifiersISSN: 1448-4528 • E-ISSN: 1751-2964
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/14484528.2012.689950
OpenAlexW2154384228
LanguageEN
Citations received1
References cited9

Introductions to life-writing anthologies often allude to the ‘immediacy’ of their contents. The term has been attached to diaries and letters, the life stories of so-called ordinary people, oral as opposed to written remembrances, and, most particularly, accounts of difficult or distressing experiences—memories of war, for instance. This article considers what implications the privileging of unmediated experience might have for the work of life writing. It will do so through readings of epistolary responses, written between 1963–4, to a BBC call for ‘vivi[d]’ remembrances of the First World War; these would be used to produce an ambitious documentary series, The Great War. The article explores how dreams of immediacy shaped these responses, and draws attention to the stylistic means and metaphors by which experiential proximity was performed. It raises the question of whether assumptions about the virtues of immediacy risk discouraging the production of valuable forms of life writing: sustained, critical and reflective

Aesthetics · Art · Epistemology · Experiential learning · Immediacy · Life writing · Literature · Narrative · Autobiographical and Biographical Writing · History · Memory, Trauma, and Commemoration · Nostalgia and Consumer Behavior · Philosophy · Psychology

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Unique citing works1
Citations per year0,08
Citation span2014 - 2014 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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