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Confessional Poetry and the Materialisation of an Autobiographical Self

Bibliographic Data

ID12649079
AuthorsMaria Takolander (0000-0003-0698-1594, Deakin University, corresponding author)
Year2017
Volume14
Issue3
Pages371-383
Publication date2017-07-03
Open AccessNo
TypeARTICLE
VenueLife Writing (JOURNAL)
Journal identifiersISSN: 1448-4528 • E-ISSN: 1751-2964
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/14484528.2017.1337502
OpenAlexW2733225573
LanguageEN
Citations received3
References cited27

Little has been said about what happens when the writing subject cobbles together a self from the material of language in an always-unpredictable creative experiment. This is undoubtedly in part because life-writing scholars are not conventionally life-writing practitioners. In this article, informed by my experience writing confessional poetry and by socio-material scholars of creativity such as Vlad-Petre Glăveneau, I explore how the technologies of poetic language – bearing affordances and constraints, embodying social and cultural histories, and therefore exerting their own intentionality – are exercised in the creative act, giving rise to a phenomenological alienation of the autobiographical subject that is often explained in terms of unconscious forces or ‘madness’. I begin by discrediting myths linking creativity and mental illness in order to destabilise a traditional view of confessional poetry as generated by individual pathology, before going on to theorise the phenomenological lacuna in authorial subjectivity that such myths represent in relation to the potent technologies of poiesis. Ultimately, this article argues that confessional poetry arises from a distributed socio-material practice in which the agency of the author is negotiated through the agency of writing materials in the creation of autobiographical artefacts, thus exposing another limit in the field of life writing

Aesthetics · Agency (philosophy · Art · Confessional · Creative writing · Creativity · Epistemology · Life writing · Literature · Mythology · Narrative · Poetry · Social science · Sociology · Subject (documents · Subjectivity · Autobiographical and Biographical Writing · French Literature and Criticism · Hermeneutics and Narrative Identity · Law · Philosophy · Psychology · Social Psychology

  • The Poetics of Memory in Contemporary Spanish Poetry

    Ekaitz Ruiz de Vergara Olmos•Life Writing•2025

  • A new position

    Open Access•Julie Mayoni Nørgaard, L Tanggaard•Culture & Psychology•2024

  • Literature in the new era

    Open Access•Yijun Liu•Trans/Form/Ação•2024

  • On knowing

    Jerome S Bruner•On knowing•1962

  • Reading autobiography

    Julia Watson, Sidonie Smith•Reading autobiography•2001

  • ‘Your story. My story’

    Jo Gill•Modern confessional writing•2010

  • Dangerous confessions

    Tracy Brain•Modern confessional writing•2010

  • Writing Space

    Jay David Bolter•Writing Space•2001

  • Distributed Creativity

    Open Access•Vlad Petre Glăveanu•Distributed Creativity•2014

  • Illness as Metaphor; Aids and its Metaphors

    Open Access•James W Curran, James Curran•BMJ•2007

  • What is confessional poetry

    Open Access•Laurence Lerner•Critical Quarterly•1987

  • Reassembling the Social

    Bruno Latour•REASSEMBLING THE SOCIAL: AN…•2005

  • Principles for a Cultural Psychology of Creativity

    Open Access•Vlad-Petre Glăveanu•Culture & Psychology•2010

  • Poetry and Autobiography

    Jo Gill, Melanie Waters•Life Writing•2009

  • The Columbia History of American Poetry

    Charles Altieri, Jay Parini et al.•Journal of American History•1994

  • Romantic psychoanalysis

    Open Access•Erin M Go, Erin M Goss•Psychoanalysis Culture & Society•2009

  • Madness and Civilization

    Michel Foucault, David Cooper et al.•Madness and Civilization•1961

Citations per year1.5
Citation span2024 - 2025 (2)
Highly citedNo

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