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The enchantment of place

Mary Butts, Wessex, and interwar neo-romanticism

Bibliographic Data

ID12653228
AuthorsAndy Radford (University of Glasgow, corresponding author)
Year2012
Volume14
Issue2
Pages157-172
Publication date2012-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNational Identities (JOURNAL)
Journal identifiersISSN: 1460-8944 • E-ISSN: 1469-9907
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14608944.2012.670213
OpenAlexW2070278779
LanguageEN
Citations received1
References cited16

This article offers an interdisciplinary view of the complex iconography of ‘Wessex-ness’ in the politically disruptive writing of Mary Butts (1890–1937). My argument locates Butts' theories of historically embedded selfhood in the context of interwar neo-romanticism led by the landscape painter, illustrator and designer Paul Nash's articles on the national disposition of contemporary pictorial expression. The neo-romantic enterprise sought to evoke and enshrine mystical unspoilt hinterlands in the furthest corners of the island nation; its ideals left a clear imprint on cultural artefacts and practices as various as travelogues, mass advertising publicity, urban planning and aerial archaeology. However Mary Butts' journalistic and fictional texts reveal a radically ambivalent attitude towards this cultural phenomenon. Indeed, her neo-romantic stress on safeguarding the ‘streams’ of ‘Wessex’ from external threat blurs into a partisan and divisive chauvinism that upholds an ethos of territorial as well as ethnic purity

Aesthetics · Archaeology · Art · Art history · Chauvinism · Context (archaeology · Ethos · Literature · Political science · Politics · Romance · Romanticism · Sociology · History · Law · Scottish History and National Identity · Spatial and Cultural Studies · Travel Writing and Literature

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Unique citing works1
Citations per year0,17
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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