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Technologies of nationalism

First World War commemoration and New Zealand’s Gallipoli exhibition

Bibliographic Data

ID12653239
AuthorsKathryn Smits (0000-0003-1282-8449, University of Auckland, corresponding author), Katherine Smits (Politics and International Relations, University of Auckland, Auckland, New Zealand)
Year2021
Volume24
Issue3
Pages271-286
Publication date2021-06-08
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNational Identities (JOURNAL)
Journal identifiersISSN: 1460-8944 • E-ISSN: 1469-9907
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14608944.2021.1931829
OpenAlexW3171932199
LanguageEN
Citations received1
References cited20

This paper examines the relationship between First World War Centenary commemoration and state-sponsored nationalism in New Zealand. In the national museum’s Gallipoli exhibition, commemoration shifts from its traditional emphasis upon military sacrifice for the nation. Film-related special effects technology promotes individual affective identification with suffering and loss, but also extolls the ingenious achievements and talents of both New Zealand soldiers historically, and Gallipoli’s producers. National identity is aligned with state promotion of creative and technological innovation as central to economic growth. The national myth-making of Gallipoli locates a technologically sophisticated modern New Zealand in the historical experience of the War

Aesthetics · Ancient history · Archaeology · Art · Art history · Economic history · Exhibition · First world war · Identity (music · Media studies · Mythology · National identity · Nationalism · Political science · Promotion (chess · Sacrifice · Sociology · Spanish Civil War · State (computer science · World War II · Australian History and Society · Classics · History · Law · Museums and Cultural Heritage · World Wars: History, Literature, and Impact

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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