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Barcelona, a musical olympus? Live concerts, club cultures, television and city branding

Bibliographic Data

ID12670080
AuthorsDuncan Wheeler (0000-0001-7739-6603, University of Leeds, corresponding author)
Year2020
Volume21
Issue1
Pages79-96
Publication date2020-01-02
Open AccessNo
TypeARTICLE
VenueJournal of Spanish Cultural Studies (JOURNAL)
Journal identifiersISSN: 1463-6204 • E-ISSN: 1469-9818
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/14636204.2020.1720983
OpenAlexW3006094586
LanguageEN
Citations received2
References cited8

The 1992 Barcelona Olympic Games announced Spain’s democratic credentials and facilitated a vast urban regeneration project in the Catalan capital. There is extensive bibliography on the role played by culture in the forging of the so-called Barcelona model, but little attention has been paid thus far to popular music. Barcelona may lack Ibiza’s super-clubs, but, in the space of a generation, the city has gone from being a relative backwater to becoming a staple of major international tours, and music has increasingly become a popular tourist attraction. This is a logical albeit not necessarily intended consequence of Barcelona’s Olympic adventure. I begin with a preliminary survey of rock and pop concerts before exploring in the main section how and why live and recorded music performed a key but underexplored role in the success of the 1992 Olympic Games. A critical examination of the subsequent development of popular music in the Catalan capital will provide a means by which to grapple with the legacy of the Transition and Barcelona ’92 in post-recession Spain

Adventure · Advertising · Art · Art history · Business · Capital (architecture · Catalan · Club · Democracy · Humanities · Media studies · Musical · Political science · Popular culture · Popular music · Sociology · Tourism · Visual arts · Cultural Industries and Urban Development · History · Law

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Citations per year0.5
Citation span2022 - 2023 (2)
Highly citedNo

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