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The Masses Make History’

On Jameson’s Allegory and Ideology

Bibliographic Data

ID12673248
AuthorsB Noys (0000-0001-6105-3665, Professor of Critical Theory, Department of Humanities, University of Chichester Chichester UK, corresponding author)
Year2020
Volume29
Issue1
Pages134-150
Publication date2020-12-21
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHistorical Materialism (JOURNAL)
Journal identifiersISSN: 1465-4466 • E-ISSN: 1569-206X
PublisherBrill (PUBLISHER • NL)
DOI10.1163/1569206x-12342000
OpenAlexW3114546136
LanguageEN
References cited16

This essay responds to Frederic Jameson’s Allegory and Ideology by arguing that this book is centrally concerned with the masses. By developing Jameson’s own model of allegorical reading, the pressure of the masses on the text is explored. This is demonstrated through a reading of Albert Camus’s The Plague , Jameson’s central example of ‘bad’ allegory. While this novel is ‘bad’ for implying a one-to-one allegorical relationship between the plague infection and the Occupation of France during World War Two, or to the human condition, a reading of the text as biopolitical allegory reveals the complex presence of the masses. Finally, this response considers the ‘immortality’ of the masses as the utopian moment traced within Allegory and Ideology

Allegory · Ancient history · Art · Ideology · Immortality · Linguistics · Literature · Plague (disease · Political science · Politics · Reading (process · Decadence, Literature, and Society · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Law · Philosophy · Religious Studies and Spiritual Practices

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Citation velocityhistorical
Highly citedNo

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