Willful voices
A/synchronic sound in Chantal Akerman’s self-portrait films
Bibliographic Data
| ID | 12689289 |
|---|---|
| Authors | Manuel Garín (0000-0001-9596-8257, Universitat Pompeu Fabra, corresponding author), Amanda Villavieja (Universitat Pompeu Fabra) |
| Year | 2016 |
| Volume | 16 |
| Issue | 6 |
| Pages | 1117-1120 |
| Publication date | 2016-09-29 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Feminist Media Studies (JOURNAL) |
| Journal identifiers | ISSN: 1468-0777 • E-ISSN: 1471-5902 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/14680777.2016.1234236 |
| OpenAlex | W2524520807 |
| Language | EN |
| Citations received | 2 |
| References cited | 5 |
In her passionate review of Vivre Sa Vie (1962), Susan Sontag identified the dissociation of words and images as a key path of modern cinema, a powerful tool that would allow filmmakers to question
Art · Portrait · Visual arts · Cinema and Media Studies · French Literature and Critical Theory · Narrative Theory and Analysis
| Citations per year | 0.22 |
|---|---|
| Citation span | 2017 - 2026 (10) |
| Highly cited | No |