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Transnational Iranian poetics of resistance

The Green Movement and Iranian women’s agency in Sepideh Farsi’s Red Rose (2014)

Bibliographic Data

ID12689986
AuthorsMarija Antić (0000-0001-7286-2759, Monash University, corresponding author)
Year2022
Volume23
Issue7
Pages3498-3514
Publication date2022-09-28
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFeminist Media Studies (JOURNAL)
Journal identifiersISSN: 1468-0777 • E-ISSN: 1471-5902
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14680777.2022.2126870
OpenAlexW4298005509
LanguageEN
References cited33

Mobilizing Gilles Deleuze and Felix Guattari’s concept of “becoming-revolutionary,” this article aims to address the relative absence of film studies scholarship on Iranian diasporic women’s cinema and transnational Iranian poetics of resistance. More specifically, it examines the role of female agency during Iran’s 2009 Green Movement in Sepideh Farsi’s, arguing that Farsi’s portrayal of a young Iranian woman’s progressive politics and sexual emancipation foregrounds connections between Iranian national and diasporic politics and poetics of female resistance. Formally, the film interweaves videos of the Green Movement made by anonymous protesters with intimate fictional narrative, allowing the two modes of storytelling to coalesce in their use of politicized bodies resisting the hegemonic ideological discourses of the state. I argue that the film’s textual hybridity emphasizes the role of “raw” protesters’ footage as an example of “minor” video, in the Deleuzian-Guattarian sense, in an effort to encompass and preserve the fragmented yet assertive voices of the Iranian civil rights movement and struggle for democracy

Agency (philosophy · Art · Emancipation · Hegemony · Literature · Media studies · Narrative · Poetics · Poetry · Political science · Politics · Resistance (ecology · Social science · Sociology · Storytelling · Gender Studies · Islamic Studies and History · Law · South Asian Cinema and Culture · Turkey's Politics and Society

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Citation velocityhistorical
Highly citedNo

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