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On not really being there

Trans* presence/absence in Dallas Buyers Club

Bibliographic Data

ID12690697
AuthorsLaura Copier (Utrecht University, corresponding author), Eliza Steinbock (0000-0001-5531-7142, Leiden University)
Year2017
Volume18
Issue5
Pages923-941
Publication date2017-11-03
Open AccessYes
TypeARTICLE
VenueFeminist Media Studies (JOURNAL)
Journal identifiersISSN: 1468-0777 • E-ISSN: 1471-5902
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14680777.2017.1393833
OpenAlexW2766726860
LanguageEN
Citations received9
References cited10

Recently more trans characters, even as main protagonists, star in film and media representations, perhaps in tandem with an increased recognition of trans rights globally. In this article we argue that the visual and aural grammars of cinema perform a double movement of inclusion and elision, making for a fascinating if utterly frustrating uptake of trans presence that is at once, perforce, also an absence. Our case study of the Rayon character in Dallas Buyers Club is an example of a recent sexualized representation of trans femininity. Our textual analysis will deconstruct this character’s presence and absence on the level of the film’s aesthetical and technical aspects demonstrating how cinematic grammar implicates cisgenderism

Aesthetics · Art · Character (mathematics · Club · Femininity · Grammar · Inclusion (mineral · Linguistics · Movie theater · Political science · Politics · Representation (politics · Sociology · Visual arts · Gender Studies · Gender, Feminism, and Media · Law · Law in Society and Culture · Media, Gender, and Advertising · Philosophy

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Citations per year1.5
Citation span2020 - 2026 (7)
Highly citedNo

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